Braun & Hogenberg's Civitates Orbis Terrarum or "Cities of the World" was published between 1572 and 1617. Within the six volumes, 531 towns and cities were depicted on 363 plates, providing the reader with the pleasures of travel without the attendant discomforts. Braun wrote in the preface to the third book, "What could be more pleasant than, in one's own home far from all danger, to gaze in these books at the universal form of the earth . . . adorned with the splendor of cities and fortresses and, by looking at pictures and reading the texts accompanying them, to acquire knowledge which could scarcely be had but by long and difficult journeys?" Braun and Hogenberg incorporated an astonishing wealth of information into each scene beyond the city layout and important buildings. The plates provide an impression of the economy and prominent occupations, and illustrate local costumes, manners and customs.
This elevated view of the old city of Moscow, drawn by Sigismund von Herberstein in 1547, depicts the city before much of it was destroyed in the great fire of that year. It depicts Moscow with starkly identical wooden houses, both within its walls and in the trader's quarter across the Neglinnaya River that forms a partial moat around the city. In the heart of the city is the Kremlin, labeled Arx, which was constructed between the years 1485 and 1530, and several Orthodox Russian churches. There are a number of horse-drawn sleighs and people on skis that, while inconsistent with the various vegetation shown in the scene, are meant to represent major modes of transportation used in the city. In the foreground there are Russian soldiers (Moscovites) that represent the growing military power of Moscow under Ivan IV Vasilyevich (Ivan the Terrible). Latin text on verso.
References: Fussel, pp. 179-181; Goss (Cities) pp.76-77.
Full contemporary color on a sheet with a coat of arms watermark. There are two tiny holes and one tiny separation along the centerfold that have been archivally repaired, a printer's crease at bottom left, and toning confined to the edges of the sheet.